The days are getting longer, and walking home from work with the husband, we decided to take the Katarina Hissen - the old elevator by Slussen that takes one up to the heights of Södermalm and on into Mosebacke Torg. At 8:15, the sun had just made it below the horizon and turned the sky all rosy blue, the various towers of the city - the German Church, The Knight's Church, the city hall - all burnished and rightfully proud of themselves. (Oh, but I love the pathetic fallacy.)
"Sweet boy," the husband said. He calls me sweet boy because I call him that. I've never told him that it seems hardly fitting to call me sweet boy, with my gray hair and grizzled old face. Not that that would stop him.
The Swedish word for the day is skymningen. It means the dusk.
- by Francis S.
Monday, April 15, 2002
Friday, April 12, 2002
Sunday, April 7, 2002
My review for Rasmus' Peer-to-Peer review project:
Name: Bingbowden's rants 'n' stuff - while this reviewer has a problem with the use of 'n' instead of the full word and without irony, the weblog mostly avoids similar stylistic errors.
First entry: Feb. 2, 2002.
Biographical information on the writer: 21-year-old male living in Bristol.
Promises: "some cracking links and heartfelt (and occasionally
controversial) opinions."
Lives up to promise: uh, well, maybe a little with the links.
Music links: this reviewer knows nothing about current music and is not in any position to judge these.
General links: mainstream press and a small mix of vaguely left-wing non-profits, plus a link to My eBay shop thrown in for a little capitalist greed.
Other weblog links: nicely avoids the a-listers. Mostly Brits, from the inane to the okay.
Links within the blog entries: a mix of oft-linked tests, articles from The Guardian, lots of Mark Thomas, and a decent smattering of random links to other websites, of which a reasonable number are interesting.
Spelling and grammar: careless. But then, this reviewer is probably overly sensitive when it comes to proper grammar and spelling.
Writing style: brief and conversational.
Politics: left.
Voyeuristic appeal: not much. Little, if any, sex, angst or anger.
Comment: The writer seems an amiable enough fellow. It's possible that the weblog would appeal to laid-back twenty-somethings who are interested in Radiohead and other similar music, have vague left-ish feelings about politics and the world, and don't seem to be interested in too much else. Unfortunately, the weblog was not this reviewer's cup of tea.
(I hope my tone isn't too elak. That would mean, uh, cruel or mean.)
- by Francis S.
Name: Bingbowden's rants 'n' stuff - while this reviewer has a problem with the use of 'n' instead of the full word and without irony, the weblog mostly avoids similar stylistic errors.
First entry: Feb. 2, 2002.
Biographical information on the writer: 21-year-old male living in Bristol.
Promises: "some cracking links and heartfelt (and occasionally
controversial) opinions."
Lives up to promise: uh, well, maybe a little with the links.
Music links: this reviewer knows nothing about current music and is not in any position to judge these.
General links: mainstream press and a small mix of vaguely left-wing non-profits, plus a link to My eBay shop thrown in for a little capitalist greed.
Other weblog links: nicely avoids the a-listers. Mostly Brits, from the inane to the okay.
Links within the blog entries: a mix of oft-linked tests, articles from The Guardian, lots of Mark Thomas, and a decent smattering of random links to other websites, of which a reasonable number are interesting.
Spelling and grammar: careless. But then, this reviewer is probably overly sensitive when it comes to proper grammar and spelling.
Writing style: brief and conversational.
Politics: left.
Voyeuristic appeal: not much. Little, if any, sex, angst or anger.
Comment: The writer seems an amiable enough fellow. It's possible that the weblog would appeal to laid-back twenty-somethings who are interested in Radiohead and other similar music, have vague left-ish feelings about politics and the world, and don't seem to be interested in too much else. Unfortunately, the weblog was not this reviewer's cup of tea.
(I hope my tone isn't too elak. That would mean, uh, cruel or mean.)
- by Francis S.
Saturday, April 6, 2002
My friend K. is coming back again to Sweden. She'll be here tomorrow.
She just can't seem to stay away.
Well, actually, it's because I keep asking her to come back to manage projects at work because she's so good at it. She'll be here for a month this time, staying with us. Which will be much nicer a year from now because we will have more space: the co-op board of the building at long last has said that we will be able to buy at least 70 square meters of the attic above our apartment, and the bank has said they will give us the money to buy it.
This is brilliant, amazing, wonderful news.
We will expand our apartment so that it is on two levels - build a terrace, and a great big bathroom with a sauna (you have to have a sauna here in Sweden), and extra bedrooms, and turn the dining room into a library, and the big bedroom into the dining room and open it up to the living room.
We will have a huge apartment (by Swedish standards at least). We will be spoiled rotten. Our lives will be even more complete. Er, not exactly, but we'll have more space in which to make our lives more complete. Or something like that.
The Swedish word for the day is ovän. This is at the request again of A., the former model and aspiring producer. She was asking me last night if there is a comparable word in English, and there isn't. It means one who is not a friend. Not an enemy, just not a friend. This can be someone who was a friend before, or someone who on first acquaintance is immediately not a friend. When it comes to words that don't translate from Swedish into English, this is almost up there with my favorite, kissnödig.
- by Francis S.
She just can't seem to stay away.
Well, actually, it's because I keep asking her to come back to manage projects at work because she's so good at it. She'll be here for a month this time, staying with us. Which will be much nicer a year from now because we will have more space: the co-op board of the building at long last has said that we will be able to buy at least 70 square meters of the attic above our apartment, and the bank has said they will give us the money to buy it.
This is brilliant, amazing, wonderful news.
We will expand our apartment so that it is on two levels - build a terrace, and a great big bathroom with a sauna (you have to have a sauna here in Sweden), and extra bedrooms, and turn the dining room into a library, and the big bedroom into the dining room and open it up to the living room.
We will have a huge apartment (by Swedish standards at least). We will be spoiled rotten. Our lives will be even more complete. Er, not exactly, but we'll have more space in which to make our lives more complete. Or something like that.
The Swedish word for the day is ovän. This is at the request again of A., the former model and aspiring producer. She was asking me last night if there is a comparable word in English, and there isn't. It means one who is not a friend. Not an enemy, just not a friend. This can be someone who was a friend before, or someone who on first acquaintance is immediately not a friend. When it comes to words that don't translate from Swedish into English, this is almost up there with my favorite, kissnödig.
- by Francis S.
Tuesday, April 2, 2002
The priest is pregnant. And now she hates the cult of motherhood, a phenomenon she never realized existed before. At least, that's what she told me.
She doesn't like that she's not supposed to have any ambivalent feelings about the whole thing, that everyone expects her to be all gushy about it. She doesn't like that for most people, her usual priestly self has been replaced by another being: the vehicle for The Baby. She finds the hap-hap-happy attitudes at the pre-natal clinic insufferable, and she doesn't like that there doesn't seem to be any room there for her boyfriend, the policeman, - the cult is about motherhood, not fatherhood.
She's also feeling a bit of pressure from her boss. The Swedish church may be liberal, but not so liberal that it's keen on, er, unwed mothers.
"He keeps asking me, 'do you need a priest for the wedding?'" she told me.
The priest and the policeman had planned on getting married in October, but this puts a crimp in things.
"I hope I stop feeling sick soon," she said.
The Swedish word for the day, of course, is gravid, which means pregnant.
- by Francis S.
She doesn't like that she's not supposed to have any ambivalent feelings about the whole thing, that everyone expects her to be all gushy about it. She doesn't like that for most people, her usual priestly self has been replaced by another being: the vehicle for The Baby. She finds the hap-hap-happy attitudes at the pre-natal clinic insufferable, and she doesn't like that there doesn't seem to be any room there for her boyfriend, the policeman, - the cult is about motherhood, not fatherhood.
She's also feeling a bit of pressure from her boss. The Swedish church may be liberal, but not so liberal that it's keen on, er, unwed mothers.
"He keeps asking me, 'do you need a priest for the wedding?'" she told me.
The priest and the policeman had planned on getting married in October, but this puts a crimp in things.
"I hope I stop feeling sick soon," she said.
The Swedish word for the day, of course, is gravid, which means pregnant.
- by Francis S.
Monday, April 1, 2002
The year is recklessly using up its appropriate weather chits. First, New Year's and the tail of the Christmas season were crisp and snowy. Now, Easter weekend has been all balmy and sunny and on the verge of green. I'm worried that the rest of the year is doomed to foul weather.
This is what Sweden reduces one to becoming. A weather obsessive.
At least I don't have to feel guilty about not taking advantage of the blue skies and warm temperatures. The husband and I woke up early Saturday morning, despite having had a grand dinner the night before with the friends from London, and the television producer, and the parents of the friends from London. Well, the parents of the photographer, that is, not the parents of the Wallpaper* editor. It was all food smothered in the olive oil and parmesan cheese we brought back from Lucca, and salami and pecorino from Lucca too, as antipasti.
Aside the parents, and me (who stayed up only until 2 a.m. because I had to work the next day), everyone else was horribly hungover from staying up until 5 a.m. Thursday night talking and drinking vodka - the husband has no brothers, so the photographer and the television producer are his surrogates, whom he doesn't get to see so often. So when they do get together, it's a celebration.
Which all means that we were awfully tired at 7:15 on Saturday morning when we got up to catch the ferry out into the archipelago, groaning all the way, not even trying to look out the filthy windows of the boat, instead reading the paper and sleeping fitfully all the way there.
But when we arrived, it was worth it all.
The husband was suddenly wide awake, and spent the afternoon helping C., the fashion photographer, cut up a fallen tree, rake up the scattered branches and leaves and burn it in a heap, all in a most manly fashion. The husband has always lived in the city and thus finds raking leaves romantic, somehow. I grew up in suburban Chicago and find raking leaves a big fat pain in the ass.
Me, I took my usual walks in the civilized paths through the woods of the island, which seems to have finally let out its breath after holding it in all winter. It hasn't quite relaxed into flower and leaf yet, and the sea is still leaden. But the birds are giddy, a parliament of fowls all talking and laughing over and under each other with no sense of decorum.
This particular little island allows no cars, and there are some two hundred houses or so, but only one year-round inhabitant. The island is crisscrossed with well-laid paths of gravel with functional names like "västväggen" and "mittelväggen" - the west way and the middle way.
There are several great meadows in the middle of the island - now cut to the ground and covered by bleached and straw-colored clumps of dead hay and grass. The meadows are ringed by plots of land with carefully tended green lawns and as many as four small buildings - main houses and guesthouses and boathouses and pavilions and greenhouses and sheds - and gardens with nothing to show for themselves but freshly overturned dirt. I don't much care for these houses.
Further toward the edges of the island are the places I like, the plots of land that are all lichen- and moss-covered granite rock, the houses perched with views to the sea on one side or the other, all looking much less soft and domesticated, a bit tougher, and a lot more expensive no doubt.
After walking round one of the meadows, and then through the path that bisects it, I end up between two rocky outcroppings and then down into a low marshy area now muddy but during the summer is filled with raspberry canes and sea grass and a million buzzing bees. I take the path on up into a shallow wood and up onto lejonklipporna - the lion rocks - and sit, alone, with my feet dangling a few meters above the frigid waters of the Baltic, watching the sun trying and failing to burn the haze from the sea and the surrounding islands.
I find it all such pleasingly digestible nature, and so terribly romantic. Everything a city boy wants from a couple days in the country.
The Swedish phrase for the day is smultronställe. It literally means a place where wild strawberries grow, but is a metaphor for an idyllic spot on earth.
- by Francis S.
This is what Sweden reduces one to becoming. A weather obsessive.
At least I don't have to feel guilty about not taking advantage of the blue skies and warm temperatures. The husband and I woke up early Saturday morning, despite having had a grand dinner the night before with the friends from London, and the television producer, and the parents of the friends from London. Well, the parents of the photographer, that is, not the parents of the Wallpaper* editor. It was all food smothered in the olive oil and parmesan cheese we brought back from Lucca, and salami and pecorino from Lucca too, as antipasti.
Aside the parents, and me (who stayed up only until 2 a.m. because I had to work the next day), everyone else was horribly hungover from staying up until 5 a.m. Thursday night talking and drinking vodka - the husband has no brothers, so the photographer and the television producer are his surrogates, whom he doesn't get to see so often. So when they do get together, it's a celebration.
Which all means that we were awfully tired at 7:15 on Saturday morning when we got up to catch the ferry out into the archipelago, groaning all the way, not even trying to look out the filthy windows of the boat, instead reading the paper and sleeping fitfully all the way there.
But when we arrived, it was worth it all.
The husband was suddenly wide awake, and spent the afternoon helping C., the fashion photographer, cut up a fallen tree, rake up the scattered branches and leaves and burn it in a heap, all in a most manly fashion. The husband has always lived in the city and thus finds raking leaves romantic, somehow. I grew up in suburban Chicago and find raking leaves a big fat pain in the ass.
Me, I took my usual walks in the civilized paths through the woods of the island, which seems to have finally let out its breath after holding it in all winter. It hasn't quite relaxed into flower and leaf yet, and the sea is still leaden. But the birds are giddy, a parliament of fowls all talking and laughing over and under each other with no sense of decorum.
This particular little island allows no cars, and there are some two hundred houses or so, but only one year-round inhabitant. The island is crisscrossed with well-laid paths of gravel with functional names like "västväggen" and "mittelväggen" - the west way and the middle way.
There are several great meadows in the middle of the island - now cut to the ground and covered by bleached and straw-colored clumps of dead hay and grass. The meadows are ringed by plots of land with carefully tended green lawns and as many as four small buildings - main houses and guesthouses and boathouses and pavilions and greenhouses and sheds - and gardens with nothing to show for themselves but freshly overturned dirt. I don't much care for these houses.
Further toward the edges of the island are the places I like, the plots of land that are all lichen- and moss-covered granite rock, the houses perched with views to the sea on one side or the other, all looking much less soft and domesticated, a bit tougher, and a lot more expensive no doubt.
After walking round one of the meadows, and then through the path that bisects it, I end up between two rocky outcroppings and then down into a low marshy area now muddy but during the summer is filled with raspberry canes and sea grass and a million buzzing bees. I take the path on up into a shallow wood and up onto lejonklipporna - the lion rocks - and sit, alone, with my feet dangling a few meters above the frigid waters of the Baltic, watching the sun trying and failing to burn the haze from the sea and the surrounding islands.
I find it all such pleasingly digestible nature, and so terribly romantic. Everything a city boy wants from a couple days in the country.
The Swedish phrase for the day is smultronställe. It literally means a place where wild strawberries grow, but is a metaphor for an idyllic spot on earth.
- by Francis S.
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