Friday, March 25, 2011

En vacances


Fifi and her French alter-ego Sabine the chic Paris girl have gone on holiday. We would like to be going to Paris and will certainly be there in our minds, but the reality is quite the opposite (however almost as French).

To preserve my serenity I am taking some time to get 'everything' in control. I feel pulled in too many directions at the moment. I look forward to seeing you in about a month, maybe sooner if I get through my long to-do list.

Atlas says hi - he is still going strong, and was pleased to see Audrey Hepburn as Sabrina, above, elevating her look with a poodle.

Thursday, March 24, 2011

Writing More Vivid Characters--Borrow a Technique from Alec Guiness

This week, I'm going to share a technique I teach in my workshops on writing vivid characters.  If you're interested in learning more, you're welcome to join me on Monday, March 28, 1:30-4:30 p.m., at the Hudson Valley Writers' Center in Sleepy Hollow, NY (Westchester county near NYC), for an afternoon workshop on writing strong characters.  The cost is $60 and you can register by calling the Writers' Center at 914-332-5953.

I was struggling with dilemma in my second novel when
I came upon a great technique for raising the stakes. I often make collages of difficult characters, because my right brain can help me get to know them if I use images.

One of the images in my collage for my rather bland character, Kate, was a photo a woman wearing a wedding dress and running alone through a mock doorway in an empty field. The image was a strange choice but it grabbed me. I didn’t know what it was telling me about Kate, but it did show she was indeed in conflict. I studied the collage for a few days, trying to figure out Kate’s big problem.

Then I came across an article written by legendary New York acting teacher, Uta Hagen. Hagen is a proponent of the Stanislavsky method and coach to generations of successful actors such as Geraldine Page, Jason Robards, Jr., and Matthew Broderick. Actors under her tutelage get into a character’s longings and desires via two different doorways. First they consider the external person; they search out a character’s motives by looking at the external aspects of that character’s life. The actor might pay attention to the character’s shoes, as does Alec Guinness. Second, they study the internal thoughts and feelings of the person they’ll be playing. They might take the character to a therapist (as Sir Laurence Olivier liked to do).

So I made a list of possible questions I could ask Kate, using this two-part approach. As I imagined Kate answering my therapist questions, I learned she was on the run (the running woman) from her marriage (the wedding dress). This led to good questions: What was keeping Kate bound to her current life? Why did she want to run away from her husband?

I looked at the actions Kate takes throughout the book, and I saw a problem immediately. Kate only thought about how unhappy she was. I didn’t have her do anything about it. This made her character flat. I brainstormed ways to increase Kate’s external dilemma. A good idea came: What if she wasn’t able to escape? What if she had an illness that kept her bound to her unhappy marriage?

As I added these “islands” to Acts 1 and 2, Kate became a much stronger character. Moreover, the book deepened as her dilemmas deepened. As if floodgates had opened, I suddenly had enough material to write many more scenes.

The image of the running woman became my compass to keep conflict in Kate’s story, and I used the external/internal dilemma questions each time she seemed to get too safe. Most of us know that when a person faces danger or conflict, we see what that person is made of. High stakes bring out hidden needs, as well as hidden strengths.

As I said before, dilemma reveals if a person will fight or run or freeze.

Even if you’re writing nonfiction, you will need to consider dilemma. Every genre of book delivers a question to be answered, a quest to be followed, a wish to be fulfilled. Growth comes whenever we face the unknown and take a risk, even if it’s not the life-threatening risk of hunting down clues in a mystery. Your book must present the challenge of change, the fulfillment of new opinions, new skills, new understandings.

Your Weekly Writing Exercise
1. Choose a character in your book who feels distant, too safe, even bland. Take a look at these two lists of questions.
External Research Questions
What do you like or dislike about your looks?
How do you feel about your age?
What five things are in your refrigerator?
What are your favorite shoes? Why?
What is your least favorite article of clothing?
What sort of work do you do? How do you feel about it?
What’s a favorite possession that you’d never let go of?
What’s your favorite music? When do you listen to it?

Internal Research Questions
Who or what in your life first broke your heart?
What do people who know you think of you?
What or whom would you eliminate from your life?
What do you wish never happened to you?
What’s a secret you hide?
What is so painful you can’t let it go?
What makes you so happy you can hardly bear it?

2. Pick three questions from each list. Write down how the character might answer these questions. If you are writing about someone real, research the answers so they are accurate and true to life.

3. Do any of the answers give you a new insight on possible (and as yet unrevealed) conflict? Maybe you are suddenly aware of a desire or longing that person hasn’t mentioned before.

4. Freewrite for twenty minutes about how this new understanding could increase the conflict in that person’s story.

Look for answers that contradict each other: this is gold for writing dilemma. For instance, if one of your characters says he has no pain in his life, no one who ever broke his heart, but in the same breath talks about a woman who once told him he wasn’t very smart, go deeper. Two answers that challenge each other hint at something unresolved.

Excerpted from Your Book Starts Here: Create, Craft, and Sell Your First Novel, Memoir, or Nonfiction Book, available now on amazon.com.

Wednesday, March 23, 2011

Starting a Law Firm | Opportunities and Office Space

Hi everyone. Hope all is going well. Missed a couple of posts. Sorry. Been busy. But I'm back and I'm ready to write! Here we go.

Opportunity to Learn How to Start a Law Firm Right the First Time

Wanted to start this post off with a bit of information for all of you out there thinking about starting a law firm or wondering how you can really jump start your practice. If you've been paying attention at all you know I have a business coach named RJon Robins. He's a great guy, knows a lot about law firm marketing and management, and truly has helped me take my practice to where it is today. And he's got an opportunity I wanted to let you all know about.

Before I get into it, though, I want to issue a disclaimer. The link I'm going to give you to sign up for this free phone call is an affiliate link. That means if you click on it and then end up signing up with RJon for help, he'll pay me a little bit of money. A referral fee for lack of a better term. Although it has nothing to do with my endorsement of his services (you can see I have posts about him going way back before I had any affiliate arrangement with him) I wanted to let you know.

With that being said, let's get to the meat of this opportunity. RJon is having a free phone call to tell people about his starting a law firm course. It's a course that actually morphed off the course I originally bought and provides all of the tools you need to run a successful law firm. It's a great resource and something all of you should think about signing up for if you are serious about not just opening a law firm but opening a successful law firm. Click on the link here to go sign up. Like I said, the call is free, I guarantee you'll get some good information even if you don't sign up, and if you're serious about doing this, you owe it to yourself to check this out.

Spending Money to Make Money

That's pretty much my pitch for the phone call. But while I have your attention I want to talk to you about something that has taken me some time to learn but is vital to your success in business and in life. To make money you have to spend money. Period.

What has prompted this section of the post was my thinking back to when I first met RJon, on a call exactly like the one you are going to be signing up for. He talked about all the things his program offered, provided a lot of proof that the service was legit (which was a huge fear of mine), and then told me the price - $2500. When I heard it I thought, "holy shit that's expensive. I don't want to spend my money on something like that." And that was one of the dumbest things I think I've ever thought.

Here's the thing about owning your own business. You have to treat it like you treat your legal career. I hope as attorneys, no matter where you are in your professional career, you don't think you've reached the peak of your skills. There is always more to learn, always more to hone, always more to add to your arsenal. And to do that you typically have to pay some money. I don't think twice about dropping $1000 to go to a trial lawyers CLE because I know it's going to help me infinitely moving forward. There's a business term for that - ROI - return on investment.

These types or programs are exactly the same. The money you are paying is (or should be) inconsequential compared to what it will earn you over time. To put it in financial terms, wouldn't you willingly spend $2500 to make $25000 based on the information, resources, and practical help you get? If you say no don't open a law firm. You're an idiot.

I've paid for RJon's programs and I've paid for other business programs too. I just bought a course that cost me $1,500 (not related to law) that I thought might give me just a couple of more tools to make me that much more effective. If it helps me get one more client it's already paid for itself.

My point is if you're opening a law firm you need to start thinking like a businessman. And a businessman knows that money doesn't represent security or purchasing power, it represents leverage. Money to the businessman is a unit of leverage that can be used to get more units. You start thinking like this and the money will start rolling in.

By the way, if I don't get any comments or questions on this I'm going to be disappointed. This isn't an easy concept to wrap your heart around. It's easy to wrap your mind around, but it's scary when you first start doing it. Let me know what you're thinking, let's talk our way through this, and get your growth projections from a 20 degree angle on the graph to an 80 degree angle.

And, by the way, RJon is the one that helped me through explore this concept. And to give you an idea of what a cool guy he is, the example he used to explain the concept was a drug dealer (I've talked about this in the past if you want to see the example played out).

New Office Space!

And speaking of investing in money to make some more, I submitted a letter of intent on some new office space next week. It's time to get out of my current space.

If I haven't walked you through my decision to move offices, I give you a brief synopsis. About a year ago I moved out of downtown to a more industrial district. The downtown office was nice, but access sucked, parking sucked, and it was expensive. I wanted to move some place that was more my style, and I thought I found a cool spot. The access was good, the parking was free (garage in the building) and the rent was cheap (relatively). It was about 200 square feet or so and had two free conference rooms that were right next door. The building was new and seemed cool.

But I forgot to do something I knew I should have done - or I wasn't realistic with my analysis. I didn't think about the entire process from a client perspective. I considered how they would get here and what they would think of the space when they got here, but I didn't think about what would happen from when the client arrived to when they actually got to the office. See, there is no central lobby in the building like a traditional office building. When you get in the parking lot there are elevator bays on the north and south sides that take you up to the floor you need to go to. But to get into the elevator bays you need a security card - 24 hours a day. That makes getting clients up here difficult. And it isn't the first impression I wanted.

So I'm moving. The new space is 700 square feet, is in a better location, has better location, and is even cheaper per square foot than this place. There's enough room to build out a conference room (a portion of which the landlord is paying for) and hold me, my assistant and a law clerk or new attorney. And it's cool as hell. I hope we seal the deal and get started on making the space ours.

Speaking of making the space ours, I'm kind of in a reflective mood today, and it got me thinking about office space and what it really represents to me. For me it's not just about having a cool space. It's about having a place I'm excited to go to everyday, about having a place that's my own, that I built up, that I paid for, and that I can call my own. For me it represents stability, safety, and success. It's my home base, my place to hatch new plans, to refine old ones, and to continue my plan to dominate my market for legal services (by the way, this doesn't have to be your plan, but you should have a plan). I'm excited for this new space because in many ways for me it represents that I have arrived. Even though my practice has been open for almost two years, this is something tangible that represents I've been doing things the right way.

Thanks for reading. Thanks (in advance) for sharing. See you Friday.

Saturday, March 19, 2011

Wisdom from a Writing Master--Barbara Kingsolver on Her Writing Practice

A student in my online class shared this wonderful interview with Barbara Kingsolver from Kingsolver's website, and it has helped me through a tough writing week.  I admire Kingsolver's no-nonsense approach to the artistic life, and she has great tips on how to keep writing.

This week's writing exercise is to enjoy the article, and post your comments and insights. Click on the link below (Interview with Barbara . . . )


Interview with Barbara Kingsolver on Writing

Friday, March 18, 2011

How to be a lady


I recently finished watching a tv series I had recorded - The Ladies of Hedsor Hall. A group of rowdy young American women are sent to Hedsor Hall Finishing School in England. Aside from the inevitable cat fights, I really enjoyed the programme.

I would have loved attending something like that myself, although these girls could have eaten me alive. And it's only now that I'm older that I can appreciate the lessons.

Hedsor Hall has a crest which stands for everything that defines a true lady - 'dignity, discipline and grace'.

The girls had a few rules when they first moved in:

- No swearing
- No excess drinking
- Lights out at 10pm
- Act like ladies at all times

They sound like not unreasonable rules to live life by in general.

Each girl was given a set of pearls to wear while they attended finishing school. The headmistress told them 'pearls become brighter and shinier with wear over time. Wear them to remind yourself you are a lady'.

Tidying up their appearance, the teachers asked them to aim for 'neat and tidy' and wear their hair off their face, with hair styled 'like a lady, not a 12 year old girl'. A smooth ponytail is ladylike for example, whereas pigtails are not.

They were given classes in various areas and I had to take notes. It's never too late to refine oneself, I feel.

Deportment. Sit up straight. The girls were taught to walk with a book on their head, and even tried walking with a book and a glass of water on their head. The book-walking was more successful and looked more natural than the book- and glass-walking.

Falconry, pheasant shooting. Just the usual everyday pursuits you might follow in the English countryside.

Art class, flower arranging. They actually created really pretty and professional looking flower arrangements (in oasis on a dish, rather than in a vase).

Fine wines. Some of the girls refused to spit the wine out, not wanting to waste it. I'm afraid I might be like that, but if I was in esteemed company I'd hope I would follow the lead of the others.

Social etiquette. Making conversation is about making people feel comfortable. It is bad manners to interrupt someone when they are speaking. A lady drinks on certain occasions and not to excess.

Anger management. Learning how to be a lady is learning how to manage your anger and control your emotions. Find an outlet for your anger (in their case they went fencing. As you do).

Dancing. In the elegant world of a lady, mastering dances such as the waltz can demonstrate grace and refinement.

Table etiquette. To honour your host, try any food that is put in front of you. Try to finish 2/3. Of course they chose the foods which would challenge the girls most - haggis, lamb testicles are the few I remember. I doubt I would ever come across a dinner party where delights such as these are served, but I would give it a good go and not complain and retch. I don't eat pork products but have had a couple of occasions where I have because I am somewhere as a guest. Of course if you are vegetarian or vegan for ethical reasons it is different, but if, like me, you don't eat something just because you don't care for it, it can't hurt to be polite to your host or hostess.

Sexual etiquette. Men are hunters. Men love the chase. You have to be that prize. The prize that that person will want to come home to. Naturally their former behaviour of hooking up with guys they'd met in a bar that night was frowned upon.

Appearance makeovers. Hair is taken back close to the natural colour and is styled to be 'neat and prim'. All facial piercings are removed and makeup is applied in neutral colours. 'Looks aren't everything but they are important. First impressions are made as soon as you walk into a room'.

The Disciplinarian (one of the teachers had this title - isn't it wonderful?) said of her class: 'The trouble with these girls is that they all live in their little boxes, filled with alcohol, men and a complete lack of ambition. In order to be really successful in life, you've got to experience new things... expand your horizons'.

I feel lucky that I had rather a better influence in life than a lot of these girls. There were some very sad stories. I have never felt the need to start a bar brawl, or to have my eyebrow pierced (at the tamer end of the scale). I have my mum to thank for trying her best to mold me into a lady from a young age.

Some of her words I can still recall: 'Speak properly', 'at least try something once before you say you don't like it', 'horses sweat, men perspire, ladies glow' and 'airports have lounges, Fiona, homes have living rooms'. My sister and I were taken complainingly to the theatre. But thankfully some of her lessons have rubbed off on me.

So won't we all put our pearls on today and head out into the world to 'be a lady'?

Thursday, March 17, 2011

Solve mysteries by introducing more mysteries


‘So the vault was never broken into at all?’ said Mr Hain, his brow furrowed in confusion.
‘Correct,’ said Caldwell. ‘But someone did get inside.’ He paused, giving the gathered company a moment to catch up with his dazzling mental acuity. Mr Hain gasped.
‘An inside job?’ he said. ‘At my bank?’ Caldwell turned to him and smiled.
‘You could say that.’ He raised one gloved hand and pointed to the bank manager’s head. ‘Would you please remove your hat?’ Slowly, Mr Hain lifted his black bowler. ‘And would you kindly look inside?’
‘My god,’ gasped Mr Hain, staring in disbelief at the lining of his hat.
‘That, ladies and gentlemen,’ said Caldwell, with a small flourish of his hand, ‘is an occult inscription placed in our good friend Mr Hain’s headwear in order to control his every thought and action.’
‘Placed there?’ said Lady Petunia, her voice trembling. ‘But by whom?’
‘Whom indeed,’ said Caldwell. ‘Someone with considerable knowledge of mysterious black arts. Someone with access to Mr Hain’s hat. Someone able to perform such an act and go completely undetected.’ He paused, listened intently and took one step to his left before swinging his arm wildly in the air.
‘Gaaah!’ yelled a voice, seemingly from nowhere. Caldwell grabbed at thin air and shook his fist. ‘Alright, alright,’ said the voice. ‘You can stop it now.’
With a shimmer of pale light, a figure appeared, Caldwell’s hand gripping its cravat.
‘This,’ said Caldwell, ‘is Mr Laender, a demon of considerable power.’
‘A demon?’ gasped Lady Petunia.
‘Yes, my lady,’ said Caldwell. ‘A demon summoned and solicited by you, a time traveller from the future.’
‘Curse you!’ screamed Lady Petunia, her synthetic face peeling off and revealing the hyper-intelligent lizard beneath. ‘Curse you to the seventeen dimensions of hell!’
For a moment, the assembled company – detective, bank workers, policemen, demon and time-travelling lizard – were silent.
‘Um,’ said Mr Hain, tapping his fingers on the edge of his hat. ‘I mean... Are you absolutely sure it wasn’t just a break-in?’

Wednesday, March 16, 2011

The Fashion Uniform


Have you noticed that the top fashion designers and editors wear their own uniform of sorts?

No matter what's happening on the runway, there sits Michael Kors in his black top and aviators. In The September Issue I couldn't help but notice Anna Wintour dressed in basically the same silhouette each day - fitted bodice, little skirt, cardy and chunky beads.

Giorgio Armani is famous for wearing a black or navy t-shirt and black pants. The new French Vogue editor Emmanuelle Alt (above) apparently wears her uniform all the time too - skinny leg trousers with blazer and heels.

If you care to google image just about anyone high up in the fashion world, you'll notice a lot of their photos look very similar. Of course there will be those who wear something cutting edge and very different each day, but I believe they are the exception rather than the rule.

They are obviously onto something, and they're doing it without telling us.

What they're telling us is to look to the trends each season, but what they're doing is wearing classic shapes that suit their body and feel comfortable, and make them feel like them.

Rather than look to the models for inspiration, I actually prefer to take note of what the tastemakers are wearing. This observation makes me feel better about choosing to have a small wardrobe of simple classics, and looking to refine it over time.

There is a great article here which talks about what to wear as you get older, and has a fabulous quote from Mr Armani:

"At every age, what makes you have a great sense of style is the ability to listen to your own instincts and to choose what makes you feel comfortable and confident. Being elegant is not a matter of age but of attitude."

Saturday, March 12, 2011

Good Books for Learning Different Writing Skills

For several years I worked via email with a small group of new book writers.  I'd just graduated from my M.F.A. program and I wanted to see if others would learn as much as I did from reading certain books.

One of the writers, working on his first novel, emailed me after our first year.  He had compiled my list of recommended books by what he'd specifically learned from each--about aspects of
writing.

I loved this idea.  It made sense that different books would teach a writer different skills.  So I began teaching this way, recommending specific books for specific lessons that a writer wanted to practice.

My list grew and grew as I discovered new books to read, enjoy, and learn from.

After my post last week, a blog reader asked me to please share my list, so here it is.  I've culled it down to titles that have proven the most useful to writers I've worked with in classes and workshops and privately over the year.  This list is very subjective; you may notice there aren't that many "classics" on it, the titles that would appear in Freshman comp classes in college.  They also aren't all books I would recommend as good beach reads or books to help you zone out pleasurably.  Many of them take work to absorb and savor, but all will educate you and help you become a better writer if you read carefully.

To learn about organizing multiple-layered plots:
Anna Karenina by Leo Tolstoy
Olive Kitteridge by Elizabeth Strout
The Time Traveler's Wife by Audrey Niffennegger 
The Namesake by Jhumpa Lahiri 
The Lovely Bones by Alice Sebold
Let the Great World Spin by Colum McCann
The Hours by Michael Cunningham
Homestead by Rosina Lippi
Medicine Love by Louise Erdrich

To learn about pacing:
Shadow Baby by Alison McGhee
Kitchen by Banana Yoshimoto
Catfish and Mandala by Andrew Pham
Back in the World by Tobias Wolff (short stories)
Cheating at Canasta by Trevor Williams (short stories)
The Dark Is Rising by Susan Cooper (young adult)
Catcher in the Rye by J.D. Salinger
A Year of Magical Thinking by Joan Didion
Interpeter of Maladies by Jhampa Lahiri (short stories)
Girl by Jamaica Kinkaid (short story)
Cowboys Are My Weakness by Pam Houston (short stories)

To learn about characters:
A Good Man Is Hard to Find by Flannery O'Connor (short stories)
Bastard Out of Carolina by Dorothy Allison
How to Be Lost by Amanda Eyre Ward
The Things They Carried by Tim O'Brien
Fierce Attachments by Vivian Gornick
Birds of America by Lorrie Moore (short stories)
The Secret Life of Bees by Sue Monk Kidd
We Have Always Lived in the Castle by Shirley Jackson
Stop Kiss by Diana Son (playscript)
Talk Before Sleep by Elizabeth Berg
Name All the Animals by Allison Smith
The Curious Incident of the Dog in the Nighttime by Mark Haddom
To Kill a Mockingbird by Harper Lee
The Beggar Maid by Alice Munro (short stories)

To learn about weaving in backstory:
The Color of Water by James McBride
Cutting for Stone by Abraham Verghese
When the Emperor Was Divine by Julie Otsuka 
No More Words by Reeve Lindbergh
Little Bee by Chris Cleave 
Almost There by Nuala O'Faolain
The Book of Salt by Monique Truong
Peace Like a River by Lief Enger

To learn about complex plots--having enough happen:
The Sweet Hereafter by Russell Banks
The Passion by Jeannette Winterson
Fingersmith by Sarah Waters
The Glass Castle by Jeannette Walls
The Liars Club by Mary Karr
Dreamsnake by Vonda McIntyre (fantasy/sci-fi)

To learn about container (environment of story/culture/beliefs):
Invisible Cities by Italo Calvino
The House on Mango Street by Sandra Cisneros
Fierce Attachments by Vivian Gornick
Away by Amy Bloom
Thinking about Magritte by Kate Stearns
Blindness by Jose Saramago
Bel Canto by Ann Patchett
Mrs. Dalloway by Virginia Woolf
Angle of Repose by Wallace Stegner
A Passage to India by E.M. Forster


Of course, with many of these titles, you can learn much more than the category I've given them.  But that's my primary learning tool from that book.

This Week's Writing Exercise
1.  Imagine you are in a classroom to learn about becoming a better writer.  What do you need to focus on next, in your writing?

2.  Pick a book from one of the lists.  Buy or borrow or download it.  Read it as a writer would.

3.  Think about your favorite books, the ones you've learned the most from.  Post your list here as a comment.

Friday, March 11, 2011

Chic Mentors


You know how sometimes you meet someone who has an impact on you? I’m talking about the little impacts here, not meeting the love of your life or your new best friend. In French Chic world they are known chic sightings.

I’ve started a Word file called Chic Mentors where I note down all the women (and men) that I’ve known (and continue to know) that have had a chic impact on me. Sometimes it might just be a few words they’ve said, what they were wearing or the impression they always give me when I see them (favourable).

An example is one I jotted down yesterday. I was working in the shop and in came a tv newsreader who I’ve seen a couple of times shopping with us (she lives in the area). She was walking past with her beautiful border collie and tied him to the door to come in for a browse.

I believe she is around 42-43 in age. Other times she has come into the shop I’ve thought how pretty and young she looked, and she was unassuming and quiet too, with a touch of standoffishness (in a self-preservation way rather than a ‘I’m a star’ way).

Yesterday she had exercise clothes on – knee length tights in navy and a navy t-shirt. Compared to other women I see who don’t eat anything and have Rachel Zoe withered skin over breast-implant skeletons, she was still curvy despite being very slender and petite and her skin had a lovely golden glow (she is blonde). She had a look around and then continued on with her walk.

I make little notes in my Chic Mentors file and enjoy reading back on them when I’m feeling less than motivated.

For the lady above I simply wrote:

X from tv who walks past with her dog – slender, healthy and golden-skinned with navy t-shirt and navy below-the-knee leggings.

Naturally this brief description means more to me than it does to you, because it triggers my memory and I can remember the impression she gave me. It helps me pick up my chic sticks again and carry on.

Tuesday, March 8, 2011

Starting a Law Firm | More of This and That

Whew, what a week! Got a little busy last week, plus had some family visiting from out of town, so I didn't have time to write any posts. I'm making it up to you by giving you three this week, including this long one covering several topics, including: more on taxes; phone systems revisted; how to write marketing articles; and my quest to find the perfect law firm office space.

This could end up being long, but I'll do my best to keep you entertained.

Update on the Taxes Talk

After that article on taxes and accountants I am now fully aware that some people read these posts and actually read them all the way through! Guess I just needed to talk about something lawyers could relate to on a real lawyerly level - the tax code - to get your juices flowing.

If you take a look at my last post on law firm taxes, you'll see that I didn't pay any quarterly taxes last year. And you'll see the comments where people are concerned about that (which I actually really appreciate). To quell any fears, I wanted to let you know that I did a little research (after the fact, admittedly) and it turns out I'm going to be okay for not paying my quarterly taxes last year. What you pay year to year depends on what you took in the year prior. Because I only had 6 months of revenue (if you'd call it that) I didn't have much of a tax base at all. Using those numbers I wouldn't have had to pay quarterly taxes. I wouldn't have qualified.

This year is a different story, and I know it's time to start taking that stuff seriously. That's why I met with an accountant prospect last week. We shared a couple of pitchers of beer together, talked business, talked life, and talked accounting. I think he knows what he's doing so I'm going to give him a shot to see if he can help me out. The best part about it is I can stop worrying about having to do it myself.

To give you an idea of what we worked out, he bills hourly, though not for phone calls and things like that (which I get). And, if I prefer, we might be able to work out a flat fee. He open to negotiate. From there he's just going to start helping me out to take advantage of everything I can to keep this business on the right track.

I'll keep you updated on the progress.

Phone Systems Revisited

I've talked about phone systems a lot (here and here at least). I've been thinking about them again and wanted to give you an update on what I figured out.

If you weren't already aware, my phone system is basically set up like this. At the top of the pyramid are two google voice numbers. One of those numbers is my primary number. It is used on all of my marketing materials. It is what people call when they want to reach the firm.

The next layer of the pyramid are two Skype phone numbers and a virtual receptionist. One skype number is assigned to me and one to my assistant. With skype we basically have an office phone system on our computer. We can instant message (though we use google chat for that mostly - way faster), we can put people on hold, we can transfer calls, and we can do video conferencing if necessary. I think the cost for Skype is around $15 a month, though I could be wrong on that.

The virtual receptionist is $79 a month plus a per call fee (typically runs about another $50 a month. They will answer the phones 24 hours a day, 7 days a week if I want them too.

The third and final layer of the phone system is my cell phone and my assistant's cell phone. Depending on the status of the phone systems our cell phones serve as a last resort backup and also have the capability of dialing out with the Google voice number with the recipient believing it came straight from the office.

During normal business hours (i.e. when Kelsey, my assistant is here) the Google voice number is pointed to ring her and my Skype numbers. This takes about 5 seconds at the beginning of the day. When someone dials the google voice number it is automatically routed directly to the Skype number.

When Kelsey is not here, the phone is switched to the virtual assistant. Whenever anyone calls it is routed to them. They answer like they were here (with my law firm name and everything) and then buzz my cellphone to see if I would like to take the call. If I don't answer (or even if I do) I get an email from them with the callers name, phone number, and the purpose of the call.

The system was working okay, but not perfectly. We were getting frustrated because sometimes the number would only ring on skype once or twice before getting kicked to voice mail (typically it rings for about 20 seconds). Other times, our microphones wouldn't work when a call was picked up, or a call would be dropped for unknown reasons. It got to the point where it was starting to be more than annoying, so I started looking into other stuff.

And I did look. But I didn't find much. Actually, I didn't find anything. Sure, you can set up some kind of huge PBX system and get servers and that kind of stuff, but that's exactly what I'm against. Advances in technology should allow you to do all of that stuff easily and cheaply. And, as I soon learned, my setup is probably the easiest and cheapest way to do it.

The other great thing about it is it is highly mobile. That means I can set up my office anywhere. If I want to make some calls from the beach in Bali, as long as I've got an internet connection I'm good to go (which is easier to get now more than ever). And should there ever be a disaster of any kind where I live, my office literally wouldn't skip a beat (unless the electricity and internet went out - but then everyone would be paralyzed from a communications standpoint).

To fix our phone problems we made a couple of minor fixes that might help you too if you're experiencing problems. First, when Kelsey comes in in the morning she is only going to point google voice at her skype number, at least until I come in (yes, you can logically deduce that she's here before me). Second, I set up the internet connection so she has a hard connection (as opposed to the wireless that she did have). This should help eliminate any dropped calls or bad reception (there are two of us on a business bandwidth). That's it. Problems should be solved. I'll update you in a couple of months.

Writing Good Marketing Articles

If you don't know by now critical to starting a successful law firm is finding clients. Read another way - marketing. If you've been reading this blog for a while then you know a lot of my time is spent on internet marketing, which includes writing articles (including on this site).

As part of that effort, I've got some sites where I will post articles submitted by other writers to be posted on my site. The benefit for me is that I get fresh content. The benefit for them is they get a relevant article with a link back to their site. It's a win win for everyone.

But lately I've been getting terrible article submissions. Not only are they thoughtless and lazy, but the grammar is terrible (and I don't mean a couple of misspellings - some of the articles read like Yoda wrote them). So I thought I'd talk for a couple of minutes about article writing and how to do it right.

First things first, at least 300 words. That is your bare bones minimum. But it isn't that much. To give you an idea, this article, up to this point, is 1371 words. That's at least four times longer than it needs to be. So, don't be afraid to be brief and make one point in one article.

Which brings me to point number two - keep it simple. Write like you are talking to a client. Explain to them what the terms you are using mean and when a 1 cent word will do, use it (versus a $5 word).

Which brings me to point number three - write about things your client cares about. Think they care about what that new case says? They don't. What they care about is what the case means. Talk about the fact, what the rule is, and how they can use that rule in the future to their benefit. If you want to do a little lawyerly analysis fine. But keep it brief.

Fourth, and finally, don't outsource your article writing to a third party, unless it's someone in your office or a law clerk or someone like that. I guess what I'm trying to say is, when you outsource your marketing you outsource your reputation. Read that article to see exactly what I'm talking about. When you write crappy articles, sometimes people will find them. And sometimes those people aren't nice.

You can make a lot of headway online if you work hard and do it right. You just have to keep after it.

Law Firm Office Space

I don't know if I've talked much about this lately or not, but I'm in the market for new office space. My space now isn't terrible, but it certainly isn't ideal. I've been here for almost a year, and it's time to move on. I'm glad I came here, though. It's kind of one of those, "you don't know what you don't like until you experience it" kind of moments.

There are a couple of things I think are important for a law office. First, I think it needs to work like people expect an office to work. That means people need to be able to get to it, you need to have a conference room area, and if you are seeing a lot of people, you need to have a waiting area. Second,it needs to look like an office, at least to the extent that it give people confidence that you know what you are doing. People expect things when they come and see you (like wearing a tie) and when they don't pick up those expected cues it can fluster them. Not good. Third, it needs to be fairly easy to get to. Someone should be able to plug it into GPS and find it.

My office right now really meets none of those criteria, and that's a problem. So I'm fixing it. There are some things about my office that will not be traditional. It will have an open concept - if there is division required it will be with glass, not with drywall. It will utilize technology to the nth degree. It will be cool.

But some of the traditional aspects must remain. Clients need a place to sit. We need a place to discuss things. We need a place to have meetings. I need a place to work. Those things are non-negotiable.

The spaces I'm looking at right now range from $1,000-$1,500 a month and from 800 square feet to 1200 square feet. They are the kind of place we can grow into (to give you an idea, right now my office is only 200 square feet tops. It will be interesting to see how I fill the place up!

You don't need an office to be successful, but if you are going to get one you might as well get something you can be proud of. That's what I'm going for here. Something I can be proud of, and something I can in for a long time. As with everything else, I'll keep you updated, maybe even post some pictures and let you help me decide!

Okay, this is plenty long. I'll write more about something else tomorrow. Let me know if you'd like me to talk about anything specifically. And, as always I welcome your comments!

Sunday, March 6, 2011

Reading to Become a Better Writer

This past weekend I was reminded of the joy of reading good books.  This reminder came unexpectedly, via a small New England writing conference called Writer's Day, hosted by New Hampshire Writer's Project.

I've attended Writer's Day for two years.  Two hundred writers from all over New England gather each spring for really good workshops, intense networking, pitch sessions with agents and publishers, and a stellar keynote speaker.  Each time I go, I am impressed with
the quality, and how much inspiration can be packed into just one day.

My inspiration this year came from the keynote speaker, Paul Harding, author of the recent Pulitzer-winning novel, Tinkers. 

Harding read the opening of Tinkers, "George Washington Crosby began to hallucinate eight days before he died," telling us a bit about the story, which is loosely based on his grandfather's life.  Then he spoke about his effort, as a writer, to align his life and his writing as much as possible.

It's an old myth that creative artists must be divorced from real life, that good art is only created in a reclusive environment.  I crave solitude to do my writing, solitude with no interruptions, no responsibilities, just as you might.  But as a committed writer, someone who is serious about her work, I also know I get much juice from my everyday life.  From my every day come observations on how people talk and interact, which I use to create believable characters.  From my every day, I can understand dilemma and conflict, so it can appear on my pages.  Here was a writer who has won the top prize for fiction, telling us this.  I felt quite relieved to know we were all on the same page.    

But it was during the questions session after his talk that Harding gave the most useful reminder.  He spoke about the need to grow as a creative artist, become a consistently better writer.  This comes from the intersection of everyday life and our writing life, but it also comes from our immersion into good literature on a regular basis.

Become a better writer by reading the best writing you can find, he said.  That's the way to continually grow.

When I got home, I looked at the pile of books on my bedside table.  There are always more books than I can manage.  I wanted to see if the books I'm currently choosing to read are helping my writing life--or are just ways to zone out.  I actually love "zoning out" with books--reading those books that are like mind candy and don't inspire me one whit.  But I also am deep in the middle of revising my next novel, so I can't feed my creative self a junk food diet.

I had three books on my table and one in my car:
Proust Was a Neuroscientist by Jonah Lehrer
Cutting for Stone by Abraham Verghese
Edinburgh by Alex Chee
The Color of Water by James McBride

These are not lightweight reads.  But they are rich like good art should be.  They each teach me, educate me, to new ideas.  They are examples of the kind of writing I need to learn from.

When I began my M.F.A. program, my teachers asked me to make up a reading list for each semester.  I was supposed to select classics and modern books I hadn't read, that I wanted to give myself permission to read--finally.  I was supposed to learn.  I remember how my adviser that first semester crossed out 20 of the titles and replaced them with better choices.  I didn't know, at the time, what I needed to aspire to--in my choices of books.  She made me read authors I would never have chosen:  Banana Yoshimoto, Anne Carson, Jose Saramago.  And acquainted me with books that changed both my view of literature and my writing.  These authors made me a better writer.  Beautiful language is inspiring to the creative self.  It generates in us an enthusiasm to write, just as seeing great art gifts us with a sense of inspiration and joy at our own creative possibilities.

Some of my students and clients over the years have told me they actually avoid reading good writing while they are working on a book.  I used to do this too.  The reasons were two-fold:  (1) I was afraid I would somehow uptake the language or ideas and unconsciously place them in my own work, or (2) I was so defeated as a writer that reading beautiful books made me feel worse about my own lack of effort/creativity/possibilities.

The cure for this is writing practice.

If you are writing regularly, you are producing original ideas (whether you believe it or not, this eventually begins to happen).  You won't steal other people's writing or ideas because you are generating so many of your own.  There is a sense of abundance, rather than lack.  Words are plentiful; there's no need to feel you won't have enough good ones.

If you are writing regularly, you are also buoyed up by this practice.  It becomes like breathing, like sitting down to eat, like brushing your teeth.  You put words on paper and you're doing your creative work, so your sense of jealousy or envy of "successful" writers gradually goes away.  You realize they too are practicing their craft.  They too are working hard at what they desire to bring out into the world.  We're all in the same boat.

This Week's Writing Exercise
1.  Make a list of books you are currently reading.  What's hanging around on your bedside table, your desk, your living room?  If you're not reading, think about why.  (We all have no time these days--that's a real reason but not a good one if you want to be a better writer.  Is it easier to watch the evening news than inspire your creative self?  Maybe reading needs to sneak back into your life, bringing its amazing benefits?)

2.  Add two books to the list that might bring you more inspiration as a writer--upgrading your creative inspiration.  Maybe you're studying how to write better dialogue.  Find a book that does this well.

3.  Spend 20 minutes today or sometime this week writing a letter to one of these writers you admire.  Tell her or him why you love their work, why you are grateful they took the time to create it.  Admit to your envy and sour grapes, but also admit to your gratitude.  This person is showing you the way to become a better writer.

4.  Finally, read.  Make time this week for reading.

Saturday, March 5, 2011

Chic Habits


In honour of our wedding anniversary today I am here to remind you to
Clean your jewels. The ones I’m talking about are any rings you wear on a regular basis. My wedding and engagement ring and anything I might wear on my right hand get washed in different soaps many times a day and just as often doused in handcream. I try to work around them with the handcream but it will still slosh around my gems. I don’t take them off to wash or moisturise as I’ve heard too many horror stories of them being left behind or falling down the plughole (a big fear of mine).

When we purchased my rings three years ago, I bought a pot of jewellery cleaning solution. I used it once and then put it in the cupboard. Does this sound like you? Every so often when I came across it I would pull out the pot and clean my jewels, exclaim how lovely they looked and not do it again for another six months. Now I have decided that if I put the pot in a place where I’m likely to come across it often, I can aim for clean jewellery once a week. It’s working so far and I feel sparklier as a result.

Another jewellery cleaning solution I have been told about is gin. I haven’t tried it myself but my information comes from reliable sources (my father-in-law and also Anthea Turner, ‘Perfect Housewife’). To save wastage on gin (which naturally you will not want to do, you don’t want to be left short for g&ts at 5), may I suggest finding a small container which you can leave the gin in, and label it as a jewellery cleaning solution.

The photo above is us out last night after champagne in a swanky hotel lobby bar before dinner at the rustic Italian place we were married.